Posted 7 November 2012 by admin | Comments (1)
A visit to a 19th Century medium was very much a theatrical experience. One would watch the medium to detect shifts in body language or voice that could be attributed to the controlling spirit. One would be on the lookout for trickery relative to the appearance of ghostly apparitions or disembodied voices.
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A worn-out record needle, a punctured speaker, inflects the recording with its own stamp, and this distortion of source is considered a negative quality. In listening to a tape by Raudive, one is hyper-conscious of the fact that the distortion of the recording process is the primary experience. This distortion is much louder than the “voices” buried within it. This is so much the case that one is compelled to question whether there are voices there at all; they might only be projective audio hallucinations induced in the listener by the general uninflected nature of the white noise. The detection of voices in the tape hiss could be considered analogous to the recognition of imagery in Rorschach blots.
Weblink: Mike Kelley’s academic cut-up.
Nathan Jones charts the development of EVP
Unspeakable Telephony: Ulysses
Describing Silence (6 Distortions)
Instructions for Catch* Construction
Better night vision, more vegetarianism: Stan Gooch’s Total Man
Subliminal messages: Judas Priest and the mythology of suicide
Synchronicity: Ross Sutherland and the Poetry of the Crystal Maze
Munster Page Habit 2 by Mark Leahy
The Render Ghosts – James Bridle
“Who You Gonna Call?” – Sophie Mayer meets the Ghost Librarian
The Shape of Oblivion: Poetry and the Rollercoaster
Glitchenskypen by Mark Amerika
Antonio Roberts AKA Hellocatfood commission
Echoes of Individuation: The Black Stack, Bicameral Minds & EVP
Curt Cloninger: Static Trapped in Mouths
“Peter Coffin: The Ecological Mystic (or how to appreciate the inherent stupidity of everything)”
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