Posted 7 November 2012 by admin | Comments Off
Aura Satz explores ghostly presence and illusion through performance and sound, often focussed on unusual sonic devices, early musical instruments and automata.
The basic components of Glissolalia have a haunting ghostly sound, playing on the notion of glissando, merging each element with the next, as well as the idea of glossolalia (religious speaking in tongues, or fluent unintelligible utterances). The composition alternates between the electronically generated and the acoustic, creating a seamless continuity, where the elements bleed into one another imperceptibly, from test-tone to musical saw to theremin to barbershop quartet.
Weblink: listen to Glissolalia as broadcast on Resonance FM.
Nathan Jones charts the development of EVP
Unspeakable Telephony: Ulysses
Describing Silence (6 Distortions)
Instructions for Catch* Construction
Better night vision, more vegetarianism: Stan Gooch’s Total Man
Subliminal messages: Judas Priest and the mythology of suicide
Synchronicity: Ross Sutherland and the Poetry of the Crystal Maze
Munster Page Habit 2 by Mark Leahy
The Render Ghosts – James Bridle
“Who You Gonna Call?” – Sophie Mayer meets the Ghost Librarian
The Shape of Oblivion: Poetry and the Rollercoaster
Glitchenskypen by Mark Amerika
Antonio Roberts AKA Hellocatfood commission
Echoes of Individuation: The Black Stack, Bicameral Minds & EVP
Curt Cloninger: Static Trapped in Mouths
“Peter Coffin: The Ecological Mystic (or how to appreciate the inherent stupidity of everything)”
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