Posted 29 July 2013 by admin | Comments Off
The experimentation in this show is amazing to watch, and the way it deals with such a difficult subject in a head on way is commendable. The show makes the audience feel in a way that most theatre doesn’t. It accesses a fundamental, animalistic emotional response to the material that is hard to explain. And this kind of experiential theatre is incredibly rare. If Electronic Voice Phenomena comes to a theatre near you on its tour, don’t miss it.
With a voice like a prim Midlands Lilly Greenham (although inflexed with a certain Germanic precision), Gavin’s repetitive, looped phrasing of half heard and decontextualized telephone-exchange conversations was hypnotic, and after a series of harmonised vocal layers had been established, was even pareidolic.
Peter Guy, Liverpool Echo on Honor Gavin (With photographs here.)
Natasha Tripney of Exeunt Magazine interviewed Ross Sutherland & Hannah Silva
The Skinny included the Liverpool show in their Top Ten Events
Nathan Jones charts the development of EVP
Unspeakable Telephony: Ulysses
Describing Silence (6 Distortions)
Instructions for Catch* Construction
Better night vision, more vegetarianism: Stan Gooch’s Total Man
Subliminal messages: Judas Priest and the mythology of suicide
Synchronicity: Ross Sutherland and the Poetry of the Crystal Maze
Munster Page Habit 2 by Mark Leahy
The Render Ghosts – James Bridle
“Who You Gonna Call?” – Sophie Mayer meets the Ghost Librarian
The Shape of Oblivion: Poetry and the Rollercoaster
Glitchenskypen by Mark Amerika
Antonio Roberts AKA Hellocatfood commission
Echoes of Individuation: The Black Stack, Bicameral Minds & EVP
Curt Cloninger: Static Trapped in Mouths
“Peter Coffin: The Ecological Mystic (or how to appreciate the inherent stupidity of everything)”
Sorry. No data so far.