Electronic Voice Phenomena       


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Posted 29 July 2013 by | Comments Off



 Press highlights from the EVP Tour


The experimentation in this show is amazing to watch, and the way it deals with such a difficult subject in a head on way is commendable. The show makes the audience feel in a way that most theatre doesn’t. It accesses a fundamental, animalistic emotional response to the material that is hard to explain. And this kind of experiential theatre is incredibly rare. If Electronic Voice Phenomena comes to a theatre near you on its tour, don’t miss it.

Ed Theakston, A Younger Theatre

With a voice like a prim Midlands Lilly Greenham (although inflexed with a certain Germanic precision), Gavin’s repetitive, looped phrasing of half heard and decontextualized telephone-exchange conversations was hypnotic, and after a series of harmonised vocal layers had been established, was even pareidolic.

Peter Guy, Liverpool Echo on Honor Gavin (With photographs here.)

Natasha Tripney of Exeunt Magazine interviewed Ross Sutherland & Hannah Silva

The Skinny included the Liverpool show in their Top Ten Events

The Guardian plugged the tour

So did The Quietus


The Tour on Twitter



Featured blogs

Nathan Jones charts the development of EVP

Unspeakable Telephony: Ulysses

Describing Silence (6 Distortions)

Instructions for Catch* Construction

Tip-of-the-Tongue Phenomena

Better night vision, more vegetarianism: Stan Gooch’s Total Man

Subliminal messages: Judas Priest and the mythology of suicide

Synchronicity: Ross Sutherland and the Poetry of the Crystal Maze

Munster Page Habit 2 by Mark Leahy

The Render Ghosts – James Bridle

“Who You Gonna Call?” – Sophie Mayer meets the Ghost Librarian

The Shape of Oblivion: Poetry and the Rollercoaster

Glitchenskypen by Mark Amerika

Sell Your Cleverness

Antonio Roberts AKA Hellocatfood commission

Echoes of Individuation: The Black Stack, Bicameral Minds & EVP

JR Carpenter’s Etheric Ocean

Curt Cloninger: Static Trapped in Mouths

“Peter Coffin: The Ecological Mystic (or how to appreciate the inherent stupidity of everything)”

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